Posted by Rebecca Blake on April 28, 2016
We’re now on Instagram! We’re working the platform to give a peek into the advocacy work we do, spread the word about design and illustration best practices, and partner with like-minded organizations. So far we’ve used our feed to participate in ico-D’s Design in Action campaign (leading up to World Design Day) – we snapped photos of unique projects that made our urban environments in Boston, DC, Maryland, and New York more sustainable. We’ll be using the account to provide a visual record of the somewhat dry advocacy work we do. Hopefully photos (like one of the extra-large cup of coffee required to get through several hours of dense copyright testimony) will bring our advocacy work to life.
We’ve got several other Instagram campaigns in the works, designed to promote our members, showcase illustration at work, and highlight regional activities. We’re concerned about navigating the problems raised by Instagram’s Terms of service (see the note below), so we’d love to hear back on how illustrators use the platform, without risking that their copyrighted work will be compromised. We’d also love to see your Instagram posts, so follow us, and let us see what you’re up to as well. You can follow us at graphic_artists_guild or search for #everyartistcounts.
Posted by Rebecca Blake on April 26, 2016
In December of last year, New York City Councilman Brad Lander introduced 1017-A, the Freelance Isn’t Free Act. The act has been championed by the Freelancers Union and founder Sara Horowitz, who launched a campaign to support and publicize the bill. An Op-Ed penned by Lander and Horowitz outlined the travails facing New York City freelancers: “more than 70% of gig workers in NYC report having been cheated out of payments, paid many months late, or paid less than they were owed. On average, these workers were stiffed out of $6,000 each year.” Freelancer are deterred from taking legal action by the high cost of lawyer’s fees, and by the financial hardship incurred by late payment. According to the op-ed, companies gamble on the chance that legal action won’t be taken, or offer a smaller payment to a freelancer desperate for funds.
The bill attempts to address non- and late payment by requiring anyone hiring a freelancer to provide a written contract describing the work to be done and payment terms. It also requires that full payment be made with 30 days of completion of the work, or from the payment due date stipulated on the contract. To address the difficulty freelancers face in affording legal action, penalties could include double damages, attorney’s fees, and civil penalties.
At a hearing on April 22, council members listened to testimony from over a dozen freelancers, from writers to graphic artists to consultants. Representatives from the Department of Consumer Affairs also attended, and while lauding the bill, expressed concerns that written contracts won’t forestall claims of non-delivery of or sub-standard services. In general, support for the bill seems to be strong. The Freelancers Union can take credit for conducting an effective and creative PR campaign. For example, on March 28, they published a “World’s Longest Invoice” webpage, with a counter that totals the amount freelancers are submitting as owed. By 4 p.m. that day, the total had reached over $388,000.
The Graphic Artist Guild is a partner of the Freelancers Union, and supports the Freelance Isn’t Free bill.
(Below) In the Freelancers Union video, branding consultant Whitney Meers summarizes her support for the bill: “I support the Freelance Isn’t Free Campaign because nonpayment is theft.”
Posted by Rebecca Blake on April 12, 2016
Adobe’s annual contest of student work, the Adobe Design Achievement Awards, is in full swing, with students entering to meet the June 19 deadline. Adobe partners with ico-D, the International Association of Design, in producing a unique competition that strives to assist registrants in navigating the transition from student to full professional. A full slate of benefits and prizes reinforces the educational aspect of the competition:
- All registrants are eligible to be chosen for a mentorship with a creative professional, and are subscribed to tips emails from 99U, as well as the 99U Quarterly print magazine.
- Semifinalists are also invited to join the online ADAA community, attend for free an Adobe Career Bootcamp, have their entries appear in the ADAA live gallery, and can display ADAA online badge on their LinkedIn and Facebook pages.
- Finalists additionally receive comments on their work from the judges, are invited to partnered events with local design firms, will be nominated for three years for an Adobe Creative Residency, receive a one-year subscription (or extension) to Adobe Creative Cloud, and have their work appear permanently in the ADAA Showcase.
- Winners have their expenses (travel, hotel, and conference pass) paid for a trip to San Diego to attend Adobe MAX: The Creativity Conference, and receive a trophy.
The ico-D Mentorship Program is uniquely geared to assisting students in bridging the career gap. Mentors select students from all ADAA entrants for either a portfolio review or a mentorship. The mentorship is described as a 5-5-5 – five virtual meetings (online or by telephone), over five months, devised to address five predetermined goals that will either improve the student’s design skills, or assist the student in launching a career. Since mentors are pulled from ico-D and Adobe’s global networks, they represent a broad range of professional activity and locations.
Students are encouraged to enter up to three examples of existing work in different categories, from fine art, to commercial, to social impact. (That last category reflects ico-D and the design community’s concern with sustainability, and encompasses work created for social or environmental causes.) Entrants must be older than 18, and must be enrolled in an accredited institution of higher education. To accommodate larger scale projects, such as video work, groups may also submit entries, so long as one individual is listed as the team leader. (The competitions rules are posted online.)
While the final submission deadline is June 19, early bird semifinalists will be announced on May 24. Final semifinalists will be announced on July 18, with finalists and category winners projected to be announced in August and September.
Posted by Rebecca Blake on April 07, 2016
As the DMCA takedown notice process is being reviewed by the Copyright Office, the procedure is increasingly covered in tech news. Recently, The Verge reported that Google is currently processing over 100,000 URLs per hour. While Google has asserted that the DMCA takedown process works fine, Ellen Siedler of Vox Indie asserts that the sheer quantity is proof enough that the process does not help rights holders. Instead, in her article, “How Google could reduce its massive DMCA takedown numbers,” she takes Google to task for not taking basic steps to reduce the number of notices it receives, thereby protecting copyright holders.
As websites hosting infringed works ignore takedown requests, creators are forced to shift their focus to Google and its powerful search engine. Siedler suggests that Google temporarily block the top offenders – those which receive the most complaints – from Google’s search results for 30 days. The lack of Google search traffic would give the site operators a solid incentive to remove infringing materials, dropping the number of DMCA takedown requests. Siedler speculates that Google would only need to block the top 100 sites to have an effect, and could develop a system to extend the block by 30 day increments for sites which continue to post high numbers of takedown requests.
However, as Siedler points out, Google seems to be more concerned with promoting “free speech” than protecting the rights of copyright holders. In 2015, the company stated it wouldn’t block piracy websites because of free-speech concerns. And as Siedler herself has pointed out, Google’s DMCA takedown process is needlessly convoluted, deterring individual creators from protecting their intellectual property. The solution Siedler outlines sounds like a sensible middle ground. It could discourage unlawful behavior without shutting down sites which demonstrate a willingness to respect creators’ rights.
Above right: Siedler asks why viciomp3.com, which averages more than 500,000 takedown requests per week, couldn’t be temporarily blocked from Google’s search results.
Posted by Rebecca Blake on March 30, 2016
World Design Day is on April 27, and ico-D, the International Council of Design, is marking the occasion by celebrating how design has improved everyday life in local communities through their Design in Action! campaign:
“One of the great things about design is that it can make such a big impact on everyday life. From the bike paths that make zipping around the city safer and faster, to the telephone that connects you to your friends and families, to the way-finding that helps you not get lost and the high-tech gear that helps you do the sports you like, good Design, meaningful Design, is constantly in Action!—helping, directing, improving, creating. We want to see Design in Action! where you are—in your region, and in your life.”
The organization has invited designers worldwide to share their examples of great design via Instagram and on ico-D's Facebook page, using the hashtags #WDD2016 and #Designinaction and tagging @theicod. All design disciplines are invited to participate, so the projects that are being shared can include wayfaring signage, bicycle paths, public spaces – anything which impacts the local community for the greater good. The Guild is participating via our brand-new Instagram account, and would love to have our community join us. Please share the design that brings you joy and ease, or addresses real problems in your community. Be sure to use #WDD2016 and #Designinaction and tag @theicod, and tag us too: @graphic_artists_guild.
Examples of Design in Action in New York City: the High Line park, which converted unused elevated rail into a much-needed public park, and interactive subway signage, which reports on track conditions, provides information for wheelchair accessibility, and permits visitors to map their routes, among other features.
The WDD2016 visuals were designed by the multi- talented Russian poster designer Peter Bankov. www.bankovposters.comNext Page
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